Friday, May 04, 2012
Some weeks ago, my camera took a dive.
No, not literally, as in fell off the table... but it did stop working, after some 30,000 images. I bought it about six years ago, specifically because it had excellent macro settings, allowing me to get within an inch of a piece of glass, and still keep focus.
The good folks at Fuji seem to think that the camera needs a new motherboard. Or some kind of circuit board. These days, nothing is "mechanical." That was another thing I liked about the camera: The zoom and focusing could be done manually.
Call me old-fashioned.
Hearing about the "tehnology" needed to fix my camera made me think about the "old days" of photography. Film. Anyone remember FILM?
Anyway, while my "good" camera is in the shop, I decided I should have a backup. A "Plan B," if you will. I make my living with a camera... well, at least, a camera is part of my living, and as an eBay seller of collectibles (and sea glass), I'm basically out of business when I don't have a camera. I became very aware of this, when my camera went in for repair... and I found myself stuck with using a scanner. Not good.
So now I am learning a new camera, with all its intricacies.
It is amazing how much technology-- and not just in computers-- has moved along in the course of just a few years. I bought my old camera in 2006, and it was state of the art, at the time.
In many ways it still is, given the price they still fetch, on the aftermarket.
Although the image quality on my new camera-- another Fuji-- is perhaps not as sharp as I would have expected, the gadgetry and add-ons are mindblowing. So is the automation... seems like the term "point and shoot" has reached new levels. You literally don't have to have a brain, nor know a thing about photography... in order to create good pictures. I'm not entirely sure whether or not I consider that a "good" thing.
Still, there's a learning curve. Macro photography of sea glass is not as easy as it looks... and often involves a process of "lying to the camera," in order to get the desired results. It took me several months to "get good" with the old camera.
The process of lying to the camera gets harder and harder, as these pieces of gear become more and more automated. There may be quite a few instances when the camera knows more about taking a good picture than I do... however, close-ups of sea glass is NOT one of those.
And so... that's what I am doing, at the moment... learning to overcome the automation, so I can take good pictures of sea glass.
- 1960 vintage Danish national now living in the Pacific Northwest... active in the global HSP community; active beach comber and sea glass collector; lifetime collector of postage stamps from Scandinavia; writer and consultant, primarily to the metaphysics and self-help industries, writer at OM Times magazine; artist who doodles on rocks; eBay & Etsy entrepreneur and studio and production assistant at Radio Nahmaste.Diverse enough for you?