Sea Glass Rarities: The Extraordinary Tale of Finding a Red Shooter Marble

For me, beach combing and picking up sea glass and other relics has always been a pretty Zen experience. I get to be alone with my thoughts and just the sound of waves, wind and an occasional seagull.

My "Happy Place"

On most trips to the beach, nothing extraordinary happens... whether in terms of my surroundings, or in terms of what I find. Sure, now and then I am delighted to find something unusual... and even after some almost 50 years of beach combing, the "thrill of the hunt" has never died.

I go out there because it's peaceful.

I go out there because it allows me to disconnect from the world and-- in some odd way-- reconnect with myself and the source of everything.

I have always been somewhat of a loner, so a beach where only a stalwart few dare to venture is my ideal venue to chill out.

I expect that pretty much all dedicated sea glass enthusiasts have dreams of finding "some great rarity" on one of their outings. Maybe it's finding a sea glass marble. Maybe it's finding that first piece of super rare orange sea glass after 20 years of looking. There's little doubt in my mind that we beach walkers have at least some element of the "collector gene" that strives for ever "better and rarer" things.

So anyway, here's an unusual story of finding an exceptional sea glass rarity.

Some years ago, I found myself doing the Happy Dance on the beach because I found a genuine orange sea glass marble. Orange is the rarest color... finding an orange marble is just that much rarer.

The original orange marble... and then a red marble. But it is not
"THAT" red marble.

I celebrated the find with my wife Sarah... who then looked me in the eye and said "Awesome! Now you need to find the red one!"

I usually take Sarah's statements in stride... but I pay attention, knowing from experience that there's always a deeper meaning behind her statements. Sarah also happens to be one of the world's greatest psychics-- far more accurate and insightful than those "TV psychics." It's a bit beyond belief, at times... but it's true.

"The red one?" I replied

She considered for a bit, and then stated "I have been seeing a red marble out on that beach. It seems buried at the moment, but at some point the sea will shift the sands and it will come up, and you will find it."

In a sense, that started the "quest for the red marble," but we all know that we can't expect the beach to serve up particular sea glass "on demand." It doesn't happen that way... but I would always be looking specifically for a red marble, as I wandered the beach. I knew that if Sarah said it was there, it was there. But three miles of beach is a big place. Just because you've been told for sure that there's a needle in your haystack doesn't mean you can just go and lay your hands on it.

Some years went by, and no red marble. Then... on a rather windy winter day, I found a red marble!

Mightily impressed by Sarah's visionary powers, I was thrilled to show off my new rare treasure. I was a little surprised that Sarah didn't seem to share quite as much in my excitement.

"It's beautiful, don't get me wrong," she said, "but it's not the one I saw... it's still out there. It's much larger and has a faint orange sheen on one side."

A really LARGE red marble, With a bit of orange on one side...

Having collected sea glass for decades, I knew that orange and red marbles are extraordinarily rare. The fact that I had managed to find both an orange and a red marble in my lifetime seemed like a pretty amazing accomplishment. What Sarah was telling me about was clearly a "shooter" sized marble... and a red one, with some orange.

Large red marbles are not something you come across often. I have seen a few offered on eBay in the course of the past ten years, and they tend to sell for impressive amounts after heated bidding.

To find one would be... possibly the rarest piece of sea glass I've found. Ever. Period.

So, time passed... until we come to October 8th, 2015. Almost at the end of a tiring trip to the beach, I saw something that looked like a piece of brown in the sand. I'm not sure why, exactly (I don't typically pick up much brown sea glass), but I decided to poke at it... and realized there was "more there."

Imagine my surprise at what I pulled out! It was LARGE and it was RED and it had that bit of ORANGE on one side! I probably looked like a crazy big flapping bird, hopping around on the beach in my victory dance.

As you can see from the photo with my two previous treasures, it's a very impressive sea glass marble-- and possibly the most amazing find of my beach combing "career." And hats off to Sarah for "seeing it" out there, all those years ago. Seriously folks... what see intuits is real. As you can see,,,

I've already been asked several times if it's for sale.

Not entirely sure, yet... maybe if someone makes the proverbial "offer I can't refuse," I will share it with another collector. For the moment, I am just telling an amazing-- but TRUE-- story!

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High Quality Sea Glass for Jewelers, Artists and Collectors: 

Visit the North Beach Treasures sea glass shop on eBay

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March 2013 Sea Glass Auctions now open!

The March 2013 sea glass auctions are now open for bidding on eBay!

This month there is a particularly nice selection up for grabs. Why? Not only have the last couple of months been fairly kind to me on the beach, I managed to catch up with one of my old "someday I really need to get around to this" projects. I had a big bin of sea glass that had been sitting-- pretty much untouched-- since we moved, late in 2010. Because the house was a mess of packing boxes at that time, the "results" from my beach combing were just put in a bin "to deal with later." Well, this month "later" finally arrived-- only took me 2 1/2 years to get there!

This week, 114 auctions went "live" on eBay. Of course, some are already gone, thanks to the buy-it-now option, but there are still well over 100 lots left.

The items for sale run the range from better individual rarities in colors like red, orange, yellow, pink and teal to really nice high quality "lots" made with jewelers and artists in mind.

There are always a lot of requests for aquamarine and blue sea glass, so I put a lot of effort into putting a large selection of these popular colors together.

UNfortunately, next month's offerings will be far more modest, as we will be traveling for part of the month, and recent beach combing trips simply haven't yielded a lot of really desirable material. Alas, that's how it goes with beach combing: You never know what you're going to get.

The link below takes you directly to the auction listings:

March Sea Glass Auctions: Bid until Sunday 3/24 at 7:30pm Pacific/10:30pm Eastern

A small selection of items from the March 2013 auctions

A Day at the Beach: January 16th

When nice weather presents itself in January, you just have to seize the opportunity! Most January days around here mean rain and cold (and occasional snow) so we prize dry sunny days. Of course, there's no telling whether such days are going to fall on a day where the tide is decent... but sometimes you get lucky.

We are slowly moving towards a time of the year when there are a few short periods with lower tides during daylight hours. This is also the time of the year when we have "King tides," which are extremely high... and when such tides are accompanied by strong onshore winds, we often see some pretty severe coastal erosion... and seaside parking lots getting swamped by waves.

The ocean is very powerful, and in this part of the world, we do get a lot of loose floating logs. And when I say "logs," that can often mean a tree trunk some three feet in diameter and 50 feet long. Even though these can weigh in at tens of thousands of pounds, it's amazing how even something as relatively minor as 5-foot waves can toss them around and deposit them 50 foot inland, in the middle of a parking lot... like they were no more than match sticks. I have seen our parking lot after a good storm and wondered at how 200lb boulders had gotten moved as far as they had.

The beach can be fairly treacherous, at this time of the year. When you have to traverse fallen trees and boulders from the size of soccer balls to the size of your average kitchen stove (see photo, above), going is slow... most people are lucky to make about one mile in an hour; and when you have several miles to go, it quickly becomes a tedious and potentially ankle-twisting adventure. When the rocks are wet-- or covered with seaweed-- you have to be especially cautious. As many times as I have been across such rocky ground, I consider myself fortunate to have "escaped" with no more than a few wet feet.

I often have to simply resign myself to going slowly... but that's OK, as it gives me plenty of time to enjoy my surroundings and say hello to the other creatures with whom I share space, such as this otter who quickly scurried across my path, jumped into the water, and then regarded me cautiously as it swam by. It dove a couple of times, then disappeared.

I beach comb in a place where there is pretty much "nothing to be found" for at least a couple of miles. And I never know what I am going to find. I could spend a couple of hours "getting there," only to discover a beach covered in six-inch boulders... or covered with a 6-inch layer of seaweed, making the glass impossible to spot. There's no way to "check in advance," so I just have to make a commitment and go... and whatever will be, will be.

It was about 45 minutes before I found even the first sign of sea glass. I don't normally pick up brown sea glass, but this was an impressively large and smooth piece, so I decided to keep it.

Perhaps a bit like baseball players, I'm a bit superstitious. I have this nagging belief that it's bad luck not to pick up the first piece of glass I see...

As the years have gone by, I have gotten more and more particular about what I pick up, and what I leave behind.

Other than particularly interesting-- or outstanding size/quality-- pieces, I almost never pick up clear or brown glass anymore. That said, I usually do come home with a fair amount of clear, simply because a lot of interesting "objects" were made with clear glass-- bottles and bottle stoppers, handles and feet from candy dishes, door knobs and drawer pulls-- and many of them are worthy of collecting.

However, I am most particular about the quality of the glass-- anything with fresh chips, breaks or other damage goes back into the ocean... and hopefully I will find it again, many years from now, when it has fully "cooked." I see no point in saving "broken" glass.

It always disappoints me when I see out-of-town visitors around here, who insist on picking up absolutely everything they can get their hands on. Because our surf can be rough-- and there are lots of larger rocks-- the vast majority of sea glass on our beaches has some form of damage. I probably pick up no more than 1-in-8 of the pieces of glass I see... the rest I leave behind for some day when they will be "ready." To me that's not only good "beach combing etiquette," it's common sense.

This turned out to be one of my best winter beach combing days in a very long time. I found three quite nice pieces of red glass, which was definitely cause for celebration. I also found a few other pieces in "better" colors: Yellow, pink, turquoise and some rarer shades of green.

Part way through the afternoon, it occurred to me that the nice glass on the beach was probably more a result of the recent very high tides, than the current lows... some of the "old" pebbles had finally been beaten around by the waves, revealing things that probably had been "hiding" since last January's "king tides."

One of my favorite things about this time of the year is that there are not many people on the beach-- and this day was no exception; I saw maybe five other people, the entire afternoon.

And when there are few people, there tends to be more wildlife. Much of the afternoon, I was watched over by a couple of eagles, looking at the world from the trees on the high bluffs behind me. Although the eagles around here are pretty used to humans, many of them stay hidden when the beach is crowded.

Besides, beach combing is really a "meditation" for me, so I prefer solitude.

Of course, not everything I pick up is sea glass. Along the way, there are always interesting rocks, sea shells and other objects of interest.

One of my very best finds of the day was actually not even sea glass but the large (at least for this part of the world) golden agate I found, late in the day-- shown in the picture below. I would not have spotted it, had it not been a sunny day and late in the day when the sun is very low... but it lit up like a bright orange-yellow golf ball in the late afternoon sun. I am not sure what to "do" with the agates I find, but they are very pretty, and remind me of the pieces of amber we'd sometimes find on the beaches in Denmark, when I was a kid. And much like some of those pieces of amber, this golf ball sized agate had a dark "moss like" inclusion.

By the end of the day, I had found quite "a lot" of sea glass, but it was noteworthy-- once again-- how the "rare colors" are getting ever rarer with each year that passes. Many of them start as fairly small pieces of glass, so it only makes sense that the small pieces will be the first to be completely worn away by waves and sand.

It will be a couple of weeks before I can go back to the beach, as we enter another period of only high tides during the day... the end of January and early February bring the next set of lower tides during daylight hours. In the meantime, there is lots of sorting to be done.

In a sense, the timing of the tides works out well for this month, as the rest of this week will mostly be spent with photography and prep work for the upcoming sea glass auction.

As much as I enjoy walking on the beach and finding glass and pottery... I also find it rewarding to "play with my glass" after I get home-- to see just exactly what my frozen fingers picked up. On the more unusual items, I enjoy the detective work of trying to guess what the piece originally might have been part of.

I also enjoy sending glass to other sea glass enthusiasts and artists all around the world. I like the idea that things I find on the beach become part of "objects of beauty" other people get to enjoy. In the course of the last couple of decades, I have sent sea glass as far away as Australia and New Zealand, Japan and Argentina, as well as numerous countries around Europe. I love how the Internet has helped bring the global sea glass enthusiast community together.

First Sea Glass Auction of 2013 set for January 20th

As some of you may know, I periodically run sea glass auctions on eBay.

What I like to do is assemble enough sea glass to make many individual "lots" and then put everything up for auction with the same start and finish date. I treat it a bit like a general public auction, where you have a list of things up for sale and everything is available for bids on the same day.

I started doing eBay auctions this way more than 15 years ago, as a trader in rare stamps for collectors. I mostly did so as a "reaction" to sellers who promised me "reduced shipping when you buy multiple lots"... but then would only have a handful of (generally UN-related) items up for sale at any one time.

Don't get me wrong, I do understand the logic behind "always having something for sale," but that's more of a benefit to the seller than to buyers. In general-- and I know this is true of me, as a buyer-- buyers benefit more from having lots to choose from at the same time... that way you can get "everything you need" taken care of in one sitting, rather than getting one or two items each from 17 different sellers.

Of course, everyone has their own philosophy.

Anyway, I have decided to start my first sea glass auction of 2013 on Sunday, January 20th, with an end date of Sunday, January 27th.

I am currently in the process of sorting, grading and assembling the glass to go up for auction... I'm expecting to end up with 100-120 lots, including better and rare individual pieces as well as many "lots" for jewelry and crafts projects. All will be well photographed and accurately graded and described. Expect some rare colors, as well as lots you seldom see "in quantity."

A further announcement will be posted next weekend, with more specific details about the glass up for auction.

Sea Glass Auction: Ending March 11th

After a rather long absence, I'm pleased to announce that I am having my first sea glass auction in almost a year!

As always, this is an "eBay event," with a nice range of high quality and rare individual pieces of seaglass, as well as "lots" assembled with artists and jewelers in mind.

My specialty is very high quality rounded and well frosted sea glass, suited for jewelry making, or in what I'd call "collectible quality." I always return the sharp, chipped and "junky" pieces to the ocean, so they can be collected by future generations of sea glass enthusiasts.

I just finished posting a total of 50 different lots-- I like to post sea glass for auction in large batches like this, as it gives potential bidders a chance to save on shipping costs, when they purchase multiple items at the same time. Once the "base" shipping charge has been paid, each additional lot only adds 75 cents to your shipping cost.

Every lot is listed with a low opening bid-- but if you're not into the "auction format," you can also purchase items you like with the immediate "buy it now" option. Just a reminder: buy-it-now only remains available until someone places a bid-- after that, it becomes "bidding only."

You're more than welcome to "mix and match," meaning that you can buy some lots up front and then bid on others-- and you don't have to pay for anything until after the bidding part ends... again, so you can save on postage. A lot of people like to do this, as you can make sure to get the "must haves" immediately and then place bids on the "maybes" and take your chances that nobody places a higher bid. Of course, some people just enjoy auctions!

Bidding/buying is now OPEN, and the sales run till Sunday, March 11th, 2012 with closing times in the late evening. Here's the direct link:

North Beach Treasures sea glass auctions

Hopefully, you will find something of interest! Pictured here are a few highlights from the current selection.

Looking at Colors: Red

For many sea glass lovers, "finding a piece of red sea glass" can be the highlight of a beach combing trip. For some, it can even be the highlight of the entire year, or an entire beach combing career.

Red is, indeed, both very rare and quite beautiful-- and it is perhaps this combination of scarcity and beauty that makes it particularly sought after. But just to "put the record straight," though-- Red is NOT "the rarest sea glass color." That said, it is commonly estimated that a beach comber will have to pick up between 3000 and 5000 pieces of sea glass to find one piece of red. In addition, red glass (due to its chemical composition) tends to be "softer" and more "brittle" than many other colors of glass, and thus even when a collector does find a piece of red, the piece is often quite small, and not necessarily in nice smoothly frosted condition.

So, what's the story with red glass?

For starters, red simply isn't a color that has been used very often, for commercial glassware. There are a couple of reasons for this: Red glass is costly to make, and difficult to work with. And, ultimately, "difficult to work with" also drives up the cost of making red glass objects.

As I have written in other posts, colored glass is typically the result of adding metals and minerals (in oxide and chloride-- powder-- form) to sand and silica mix that is glass before it is molten. The simplest way to obtain a medium to deep red glass color is by adding gold-- in powder form. And, at $100s per ounce, this has generally not been an economically viable proposition for glass manufacturers. As often as not, when we run into red glass in an antique store, it is more likely to be "art" glass than manufacturer production glass.

Because of the cost of using gold, alternatives have been explored. Most successfully, highly purified iron and cupric oxide has been used. However, new challenges arose.

Some years ago, I was proprietor of an art gallery, and one of our specialties was blown art glass from small studios and individual artists. In the course of ten years or so, I got to know a lot of glass blowers-- and often noticed the absence of deep red glass in their work.

Knowing that there were alternatives to using gold for red glass, I asked "why no red?" And learned that even though there are non-gold options to make red glass, they can only be used in extremely controlled furnace environments. The raw materials have to be extremely pure and highly processed-- and that quickly becomes expensive. One glass artist described red glass as "too temperamental," explaining that he could make a "pot" of red glass, but if the furnace got just 10 degrees too hot he'd "end up with brown soup." Keep in mind what it might take to calibrate in 10-degree increments in the context of glass having a melting point of 2700 degrees Fahrenheit. I also learned that red glass-- in its molten state-- is extremely corrosive and damages the "pots" used in the furnaces, meaning that they have to be replaced more often than when working with most other colors.

As an example (again, returning to my days at the art gallery), in 1987 major Finnish glass manufacturer iittala decided to commemorate the 50th anniversary of their world famous "Aalto" glass vase by making a special limited edition in deep red. The original intent was that the edition size was to be 1000 signed and numbered pieces worldwide. After extensive experimentation and numerous failures, the edition size was cut short to just one hundred pieces, due to "manufacturing difficulties."

Red sea glass, as beach combers might find it, comes from a very limited number of sources. Some can be traced to automotive tail lights and lenses from warning lamps and ships' lanterns-- most often, these pieces have some kind of texture on one side, put their to increasing the reflectivity of the lens. A small amount comes from Victorian- to Depression-era production and decorative glass, with a few other pieces coming from decorative art glass. Finally, a tiny amount of commercially produced red glass (most often made by Anchor-Hocking in the 1950's) might show up "locally" in various parts of the US, for example from one particular type of Schlitz beer made during the 50s. In all cases, very limited quantities were made... and red was often the color chosen for various "special" or "limited edition" objects.

As an interesting aside, red glass was often used as "tiny accents." For example, when I look at sea glass "objects" such as buttons or beads (which in and of themselves are rare to find), red is a relatively "common" occurrence. Perhaps a full one-quarter of the sea glass beads I have found have been red... but it's very much a "relative" thing, as the chances of finding any sea glass bead is maybe 1-in-2000! Although beads are not exactly rare, most are never picked up because of their tiny size-- beach combers see a piece of glass less than 1/4" in diameter and think "why bother?" not realizing that the tiny round piece has a hole through it, making it a miniature treasure.

"Cranberry Glass" as sea glass

I am occasionally asked why there is not more "cranberry glass" found as sea glass. People point out that when you go to an antique mall (for example) there is far more cranberry glass-- essentially a "pinkish/purplish" red-- than pure red glass. Most likely, the answer lies in how glass is used, and how we-- as "consumers"-- treat the glass we have around us. Whereas cranberry glass was made on a fairly large scale during the first half of the 20th century, it mostly was made into decorative objects. As such, relatively little of it was actually broken, and subsequently very little of it found its way to trash dumps. The same is true of colors such a deep amethyst and bright orange, which was used for decorative objects but is extremely rare as sea glass. Think about it, for a moment: If you chip a glass canning jar, what happens? You throw it away. If you chip your favorite cranberry glass vase, what happens? Unless it's seriously broken, you probably try to fix it. Or leave it out, with the chip facing the wall...

The bottom line is that most sea glass-- probably 99% of it-- comes from commercial glassware. That is, glassware that "contained" something, and/or was "used" for something... after which its utility ended, and it was discarded.

Whatever its origins, red glass is definitely a "treasure" for a sea glass collector, as well as for the few jewelry artists who are bold enough to use it in their work.

To see more photos of red sea glass (and I have many!), please visit my Red Sea Glass Photo Album on Flickr.